Posts Tagged ‘Digital Art’

“Britney Spears + Pierre Schaeffer = HOT” (Rhimix, 2010)

Friday, October 1st, 2010

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Minimalist musical mashup superimposing Pierre Schaeffer’s avant-garde composition “Cinq Etudes De Bruits: Etude Violette” over top of Britney Spears’ “Toxic.” Schaeffer is a composer and musicologist who was instrumental in pioneering musique concrete as an art form. Part of the ongoing Britney Spears Best of Noise project.

The first 8 tracks of this project were released on the concept album Britney Spears + Noise = HOT. Download the album for free.

“So these were the three circumstances that compelled me to experiment in music: I was involved in music; I was working with turntables (then with tape-recorders); I was horrified by modern 12-tone music. I said to myself, ‘Maybe I can find something different… maybe salvation, liberation, is possible.’ Seeing that no-one knew what to do anymore with DoReMi, maybe we had to look outside that… Unfortunately it took me forty years to conclude that nothing is possible outside DoReMi… In other words, I wasted my life.” (Pierre Schaeffer)

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“The Specter of Communism” (Video Art, 2010)

Sunday, October 3rd, 2010

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Various superimpositions of Lumiere’s early films according to dialectical principles (Hegel, Marx, Eisenstein). Supercinedialectaimposition!

“A spectre is haunting Europe — the spectre of communism. All the powers of old Europe have entered into a holy alliance to exorcise this spectre: Pope and Tsar, Metternich and Guizot, French Radicals and German police-spies.” (Karl Marx, The Communist Manifesto)

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“Britney Spears + Arthur Doyle = HOT” (Rhimix, 2010)

Tuesday, October 5th, 2010

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The third in my series of Britney Spears experimental remixes, superimposing Arthur Doyle’s “Hey Minnie Hey Wilbur Hey Mingus” over top of Spears’ “Baby One More Time.”  Arthur Doyle is a free jazz saxophonist who played with many great musicians (Sunny Murray, Rudolph Grey, Sun Ra) though he remains largely unknown. Part of the ongoing Britney Spears Best of Noise project.

The first 8 tracks of this project were released on the concept album Britney Spears + Noise = HOT. Download the album for free.

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“Britney Spears + Sun Ra + John Cage = HOT” (Rhimix, 2010)

Thursday, October 7th, 2010

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The fourth in my series of Britney Spears experimental remixes, superimposing Sun Ra and John Cage (from the album “John Cage Meets Sun Ra”) over top of Spears’ “Piece of Me.” Sun Ra is a free jazz space traveller and John Cage is an avant-garde composer instrumental in developing the use of chance operations in experimental music. Part of the ongoing Britney Spears Best of Noise project. Many thanks to Path To Unknown Worlds and Swen’s Weblog for featuring this recently.

The first 8 tracks of this project were released on the concept album Britney Spears + Noise = HOT. Download the album for free.

“The first question I ask myself when something doesn’t seem to be beautiful is why do I think it’s not beautiful. And very shortly you discover that there is no reason.” (John Cage)

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“On Several Regimes of Signs: Hulk Hogan vs Andre the Giant vs Sister Wendy” (Video Art, 2010)

Saturday, October 9th, 2010

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Part of a series of film adaptations of Gilles Deleuze and Felix Guattari’s “Capitalism and Schizophrenia 2: A Thousand Plateaus.”

“If Andre the Giant had been the enduring icon of pro wrestling in the ‘70s, the ‘80s belonged to Hogan. It was inevitable that the two would meet so that Hogan could officially take over the reins. The clash took place in 1987 at the legendary Wrestlemania III, where millions watched Hogan bodyslam the 7’4”, 520-pound colossus. “I felt like I needed an ambulance after that,” says Hogan, who tore several muscles in his back performing the move. Though he was already the champion, and by no means a runt by any standard, Hogan emerged from the match as wrestling’s David, having vanquished Goliath and thus anointed the king of the ring.” (Caroline Ryder, Hulk Hogan)

“I’m sure everybody has this capacity. But it’s not activated… I think a lot of it is the fault of art critics who speak in a kind of highfalutin way… that unless you’re highly educated and very bright and know the right language you really haven’t got any rights to be having an opinion, so people are frightened, they feel they don’t know.” (Sister Wendy in Conversation)

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“Of The Refrain: Art Must Be Beautiful, Artist Must Be Beautiful” (Video Art, 2010)

Tuesday, October 26th, 2010

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Experimental video art mashup of Britney Spears and Marina Abramovic. Part of a series of film adaptations of Gilles Deleuze and Felix Guattari’s “Capitalism and Schizophrenia 2: A Thousand Plateaus.” Many thanks to the fashion blog Eternal Optimist for reposting this recently. One of two works exploring Britney Spears shaving her head and its relation to gender.

“I have to tell you something – they say she is about to go through a nervous breakdown. I mean I am going through, almost practically every day, through a nervous mini-breakdown and nervous breakdowns are very necessarily. And artists who don’t go through nervous breakdowns I don’t trust them. I don’t think I even like them. They are no good. They are just square, too normal. For an artist to be normal is a disaster. So, leave her alone, you square, normal, boring people… It has nothing to do with what she is singing or not singing. I am talking about her as a person… I am talking about the inside.” (Jonas Mekas on Britney Spears)

“I suspect that the day Britney Spears shaved her own hair off represented a kind of Sartrean or Socratic argument (rather than, say, a nervous breakdown). She was, in effect, by the use of appearance, shrewdly de-mythifying beauty. The hair lies on the floor, “inexplicably faded” (Sartre), and the conventional notion of femininity likewise.” (Andy Martin, The Phenomenology of Ugly)

“I brush my hair with a metal brush held in my right hand and simultaneously comb my hair with a metal comb held in my left hand. While so doing, I continuously repeat ‘Art must be beautiful’, ‘Artist must be beautiful’, until I have destroyed my hair and face.” (Marina Abramovic)

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“Britney Spears + Noise = HOT” (Concept Album, 2010)

Friday, October 29th, 2010

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Concept album mashing avant-garde music (Sun Ra, John Cage, The Dead C, Pierre Schaeffer, Arthur Doyle) with Britney Spears songs. 1ST EDITION: 20 copies with hand lettered covers were given away free at Frederick Sound and Light Exploration Society art fair on October 9th (also featuring The Unknown Rockstar, The DollPumice, Campbell Kneale, Matt Whitwell, Bryce Galloway, Drawing Silence and Claire Harris, among others). 2ND EDITION: 20 copies featuring the cover above were ‘sold’ for gold coin donation at the MyGalaxi art market on October 29th and 30th. 3RD EDITION: 10 copies were given away for free at Big Dick’s Best of YouTube screening at the NZ Film Archive. Subsequent editions have been produced for Wellington Zinefest and general distribution.

Part of the ongoing Britney Spears Best of Noise project. Listen to selections from the album on Soundcloud. Free download of the full 8 track album available now. There is also now a torrent on Pirate Bay. Update: Volume 2 OUT NOW!

“These are not remixes, as such, though I am interested in their relation to remixing. All I have done is superimpose well known avant-garde musicians over top of Britney Spears songs in the hope that multiple points of connection might be established between the two layers. I call this a rhimix. Remixes are are based on the “cut” (melding several tracks together, producing one). Rhimixes are based on the “caress” (mending several tracks together, producing a multiplicity of points at which they touch). The remix = juxtacomposition (comprised of different samples). The rhimix = supercomposition (comprised of different speeds).”

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“Glitch Archive” (Digital Paintings, 2010-2011)

Monday, February 14th, 2011

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“The dominant, continuing search for a noiseless channel has been, and will always be no more than a regrettable, ill-fated dogma. Even though the constant search for complete transparency brings newer, ‘better’ media, every one of these new and improved technologies will always have their own fingerprints of imperfection. While most people experience these fingerprints as negative (and sometimes even as accidents) I emphasize the positive consequences of these imperfections by showing the new opportunities they facilitate.” (Rosa Menkman, Glitch Studies Manifesto)

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“Paris Hilton – The Bather” (Digital Paintings, 2011)

Wednesday, February 23rd, 2011

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Part of a series of works superimposing still images from Paris Hilton’s ‘bath’ video (which has commonly been labelled a ‘sex tape’) over top of classical paintings of women bathing. See more from this series. Many thanks to Meghan Dougherty for featuring these works on Tumblr.

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“D&G” (Digital Paintings, 2011)

Wednesday, August 31st, 2011

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What if philosophers had the same kind of promotion attached to their brands and concepts as other commodities in our culture? Bourdieu on a billboard? Irigaray in an infomercial? Kant in the classifieds?

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