Experimental video art mashup of Britney Spears and Marina Abramovic. Part of a series of film adaptations of Gilles Deleuze and Felix Guattari’s “Capitalism and Schizophrenia 2: A Thousand Plateaus.” Many thanks to the fashion blog Eternal Optimist for reposting this recently. One of two works exploring Britney Spears shaving her head and its relation to gender.
“I have to tell you something – they say she is about to go through a nervous breakdown. I mean I am going through, almost practically every day, through a nervous mini-breakdown and nervous breakdowns are very necessarily. And artists who don’t go through nervous breakdowns I don’t trust them. I don’t think I even like them. They are no good. They are just square, too normal. For an artist to be normal is a disaster. So, leave her alone, you square, normal, boring people… It has nothing to do with what she is singing or not singing. I am talking about her as a person… I am talking about the inside.” (Jonas Mekas on Britney Spears)
“I suspect that the day Britney Spears shaved her own hair off represented a kind of Sartrean or Socratic argument (rather than, say, a nervous breakdown). She was, in effect, by the use of appearance, shrewdly de-mythifying beauty. The hair lies on the floor, “inexplicably faded” (Sartre), and the conventional notion of femininity likewise.” (Andy Martin, The Phenomenology of Ugly)
“I brush my hair with a metal brush held in my right hand and simultaneously comb my hair with a metal comb held in my left hand. While so doing, I continuously repeat ‘Art must be beautiful’, ‘Artist must be beautiful’, until I have destroyed my hair and face.” (Marina Abramovic)