Posts Tagged ‘Remix’

“John Cage – 4’33″ [May '68 Comeback Special RECON]” (Video Art, 2010)

Wednesday, June 9th, 2010

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Reconstruction of John Cage’s 4’33″ using 68 YouTube videos of people performing the piece on a variety of instruments. Part of the ongoing RECON project. Many thanks to Rhizome.org and C-Monster for featuring this work recently.

“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.” (John Cage, Experimental Music)

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“MEND” (Tao Wells and Dick Whyte, Supercomposition, 2010)

Saturday, July 3rd, 2010

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The concept is simple, take two bands which are characterized as opposed (culturally, personally, ideologically) and superimpose a song from each band on top of one other (mending the rift). Concept developed by Tao Wells and myself one weekend in New Plymouth and eventually spawned my Britney Spears Best of Noise solo project.

These are not ‘remixes’, though we are interested in their relation to remixing. We have simply laid two songs on top of each other (a rhizome, a remedy) in the hope that there will be moments of connection between the layers. The points at which these two layers touch (caress) offer moments of “mending.” While mixing makes use of the cut, mending makes use of care.

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“Monsterpiece Theatre: Waiting For El Godot” (Video Art, 2010)

Sunday, August 8th, 2010

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“The mind, placed before any kind of difficulty, can find an ideal outlet in the absurd. Accommodation to the absurd readmits adults to the mysterious realm inhabited by children.” (Andre Breton)

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“Andy Warhols Eats A Hamburger [33 Scenes From YouTube RECON]” (Video Art, 2010)

Thursday, August 12th, 2010

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Reconstruction of Jorgen Leth’s “Andy Warhol Eats A Hamburger” (from the documentary film “66 Scenes From America”) using 33 amateur remakes posted to YouTube over the last 2 years. Part of the ongoing RECON project. Many thanks to Contemporary Art Truck and IconoTV for featuring this on their blogs.

“The most beautiful thing in Tokyo is McDonald’s. The most beautiful thing in Stockholm is McDonald’s. The most beautiful thing in Florence is McDonald’s. Peking and Moscow don’t have anything beautiful yet… What’s great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good. Liz Taylor knows it, the President knows it, the bum knows it, and you know it.” (Andy Warhol, From A to B and Back Again)

“He is told that he has to say his name and that he should do so when he has finished performing his action, but what happens is that the action takes a very long time to perform; it’s simply agonizing.I have to admit that I personally adore that, because its a pure homage to Warhol. It couldnt be more Warholesque. That’s of course why he agreed to do it.” (Jorgen Leth, in Mette Hjort & Ib Bondebjerg, The Danish Directors: Dialogues on a Contemporary National Cinema, p70)

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“Britney Spears + The Dead C = HOT” (Rhimix, 2010)

Monday, September 20th, 2010

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Minimalist musical mashup superimposing The Dead C’s “Suffer Bomb Damage” over top of Britney Spears’ “Radar.” The Dead C (Bruce Russell, Michael Morley, Robbie Yeats) are a seminal free-noise band from New Zealand. Part of the ongoing Britney Spears Best of Noise project. Many thanks to Abulafia: Electronic Folk Music for featuring this on their blog. The first 8 tracks of this project were released on the concept album Britney Spears + Noise = HOT. Download the full album for free (in FLAC or high quality MP3) on my Bandcamp Page.

“That there is an area between other forms of music where all of the “rules” which hold them apart cease to apply. All musics bleed into this Empty Quater, some exist more within, and some more without, its bounds.” (Bruce Russell, Free Noise Manifesto)

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“Britney Spears + Pierre Schaeffer = HOT” (Rhimix, 2010)

Friday, October 1st, 2010

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Minimalist musical mashup superimposing Pierre Schaeffer’s avant-garde composition “Cinq Etudes De Bruits: Etude Violette” over top of Britney Spears’ “Toxic.” Schaeffer is a composer and musicologist who was instrumental in pioneering musique concrete as an art form. Part of the ongoing Britney Spears Best of Noise project. The first 8 tracks of this project were released on the concept album Britney Spears + Noise = HOT. Download the full album for free (in FLAC or high quality MP3) on my Bandcamp Page.

“So these were the three circumstances that compelled me to experiment in music: I was involved in music; I was working with turntables (then with tape-recorders); I was horrified by modern 12-tone music. I said to myself, ‘Maybe I can find something different… maybe salvation, liberation, is possible.’ Seeing that no-one knew what to do anymore with DoReMi, maybe we had to look outside that… Unfortunately it took me forty years to conclude that nothing is possible outside DoReMi… In other words, I wasted my life.” (Pierre Schaeffer)

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“Britney Spears + Sun Ra + John Cage = HOT” (Rhimix, 2010)

Thursday, October 7th, 2010

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The fourth in my series of Britney Spears experimental remixes, superimposing Sun Ra and John Cage (from the album “John Cage Meets Sun Ra”) over top of Spears’ “Piece of Me.” Sun Ra is a free jazz space traveller and John Cage is an avant-garde composer instrumental in developing the use of chance operations in experimental music. Part of the ongoing Britney Spears Best of Noise project. Many thanks to Path To Unknown Worlds and Swen’s Weblog for featuring this recently. The first 8 tracks of this project were released on the concept album Britney Spears + Noise = HOT. Download the full album for free (in FLAC or high quality MP3) on my Bandcamp Page.

“The first question I ask myself when something doesn’t seem to be beautiful is why do I think it’s not beautiful. And very shortly you discover that there is no reason.” (John Cage)

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“Britney Spears + Noise = HOT” (Concept Album, 2010)

Friday, October 29th, 2010

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Concept album mashing avant-garde music (Sun Ra, John Cage, The Dead C, Pierre Schaeffer, Arthur Doyle) with Britney Spears songs. Download the full album for free (in FLAC or high quality MP3) on my Bandcamp Page.

1ST EDITION: 20 copies with hand lettered covers were given away free at Frederick Sound and Light Exploration Society art fair on October 9th (also featuring The Unknown Rockstar, The DollPumice, Campbell Kneale, Matt Whitwell, Bryce Galloway, Drawing Silence and Claire Harris, among others). 2ND EDITION: 20 copies featuring the cover above were ‘sold’ for gold coin donation at the MyGalaxi art market on October 29th and 30th. 3RD EDITION: 10 copies were given away for free at Big Dick’s Best of YouTube screening at the NZ Film Archive. Subsequent editions have been produced for Wellington Zinefest and general distribution.

Part of the ongoing Britney Spears Best of Noise project. There is also now a torrent on Pirate Bay. Update: Volume 2 OUT NOW!

“These are not remixes, as such, though I am interested in their relation to remixing. All I have done is superimpose well known avant-garde musicians over top of Britney Spears songs in the hope that multiple points of connection might be established between the two layers. I call this a rhimix. Remixes are are based on the “cut” (melding several tracks together, producing one). Rhimixes are based on the “caress” (mending several tracks together, producing a multiplicity of points at which they touch). The remix = juxtacomposition (comprised of different samples). The rhimix = supercomposition (comprised of different speeds).”

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“Britney Spears + Nam June Paik = HOT” (Mashup, 2010)

Monday, November 8th, 2010

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Minimalist musical mashup superimposing Nam June Paik’s “Hommage A John Cage” over top of Britney Spears’ “Gimme More.” Nam June Paik is a Korean-born interdisciplinary conceptual artist who is often credited as being the “first” video artist. He also frequently worked with sound. Part of the ongoing Britney Spears Best of Noise project. The first 8 tracks of this concept were released on the concept album Britney Spears + Noise = HOT. Download the full album for free (in FLAC or high quality MP3) on my Bandcamp Page.

“Skin has become inadequate in interfacing with reality. Technology has become the body’s new membrane of existence.” (Nam June Paik)

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“Britney Spears + Yximalloo = HOT” (Mashup, 2010)

Sunday, January 9th, 2011

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Minimalist mashup superimposing Yximalloo’s “Why To Christmas” (from the album Fangs of Lucifer) over top of the Britney Spears song ’3′. Yximalloo (a.k.a. Naofumi Ishimaru) is a Japanese experimental/noise/pop musician, best known for his collaborations with Jad Fair of Half Japanese. Download the full 8 track album for free (in FLAC or high quality MP3) from Bandcamp.

From the 8 track concept album Britney Spears + Noise = HOT Vol. 2 (mashing Britney Spears songs with noise and avant-garde musicians). Part of the ongoing Britney Spears Best of Noise project. If you enjoyed this you may also want to check out Britney Spears + Noise = HOT Vol. 1 (including The Dead C, William S. Burroughs, Arthur Doyle, Nam June Paik, Pierre Schaeffer and Sun Ra).

“The trouble with Japanese pop, Yximalloo says, is that Japanese are brainwashed by caucasian culture. In Japan, 98% of people are following trends and only 2% of people are setting them. He recently heard Pizzicato 5 for the first time, and looks disappointed when I tell him they’ve split up.” (read more)

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