“That there is an area between other forms of music where all of the “rules” which hold them apart cease to apply. All musics bleed into this Empty Quater, some exist more within, and some more without, its bounds.” (Bruce Russell, Free Noise Manifesto)
“So these were the three circumstances that compelled me to experiment in music: I was involved in music; I was working with turntables (then with tape-recorders); I was horrified by modern 12-tone music. I said to myself, ‘Maybe I can find something different… maybe salvation, liberation, is possible.’ Seeing that no-one knew what to do anymore with DoReMi, maybe we had to look outside that… Unfortunately it took me forty years to conclude that nothing is possible outside DoReMi… In other words, I wasted my life.” (Pierre Schaeffer)
The fourth in my series of Britney Spears experimental remixes, superimposing Sun Ra and John Cage (from the album “John Cage Meets Sun Ra”) over top of Spears’ “Piece of Me.” Sun Ra is a free jazz space traveller and John Cage is an avant-garde composer instrumental in developing the use of chance operations in experimental music. Part of the ongoing Britney Spears Best of Noise project. Many thanks to Path To Unknown Worlds and Swen’s Weblog for featuring this recently. The first 8 tracks of this project were released on the concept album Britney Spears + Noise = HOT. Download the full album for free (in FLAC or high quality MP3) on my Bandcamp Page.
“The first question I ask myself when something doesn’t seem to be beautiful is why do I think it’s not beautiful. And very shortly you discover that there is no reason.” (John Cage)
Concept album mashing avant-garde music (Sun Ra, John Cage, The Dead C, Pierre Schaeffer, Arthur Doyle) with Britney Spears songs. Download the full album for free (in FLAC or high quality MP3) on my Bandcamp Page.
“These are not remixes, as such, though I am interested in their relation to remixing. All I have done is superimpose well known avant-garde musicians over top of Britney Spears songs in the hope that multiple points of connection might be established between the two layers. I call this a rhimix. Remixes are are based on the “cut” (melding several tracks together, producing one). Rhimixes are based on the “caress” (mending several tracks together, producing a multiplicity of points at which they touch). The remix = juxtacomposition (comprised of different samples). The rhimix = supercomposition (comprised of different speeds).”
“The trouble with Japanese pop, Yximalloo says, is that Japanese are brainwashed by caucasian culture. In Japan, 98% of people are following trends and only 2% of people are setting them. He recently heard Pizzicato 5 for the first time, and looks disappointed when I tell him they’ve split up.” (read more)