Posts Tagged ‘Sequential Art’

“Round [Black Holes Ain’t So Black]” (Photocopies, 1999)

Wednesday, December 1st, 1999

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“The lower the mass of the black hole, the higher its temperature. So as the black hole loses mass, its temperature and rate of emission increase, so it loses mass more quickly. What happens when the mass of the black hole eventually becomes extremely small is not quite clear, but the most reasonable guess is that it would disappear completely in a tremendous final burst of emission, equivalent to the explosion of millions of H-bombs.” (Stephen Hawking)

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“A human being is a part of a whole, called by us “universe,” a part limited in time and space. We experience ourselves, our thoughts and feelings as something separated from the rest… a kind of optical delusion of our consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty.” (Albert Einstein)

Variations on these photocopy works were included in the exhibition “Dick Whyte: Retrospective” (91 Aro Street Gallery, Wellington, 2005).

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“Squares [This Is Not A Black Square]” (Photocopies, 1999)

Thursday, December 2nd, 1999

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“When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field, the critics and, along with them, the public sighed, ‘Everything which we loved is lost. We are in a desert… Before us is nothing but a black square on a white background!'” (Kazimir Malevich)

Variations on these photocopy works were included in the exhibition “Dick Whyte: Retrospective” (91 Aro Street Gallery, Wellington, 2005).

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“August” (Photographs, 2005)

Saturday, December 10th, 2005

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“First. Those whose relation to their objects is a mere community in some quality, and these representations may be termed Likenesses. Second. Those whose relation to their objects consists in a correspondence in fact, and these may be termed Indices or Signs. Third. Those the ground of whose relation to their objects is an imputed character, which are the same as general signs, and these may be termed Symbols.” (C.S. Peirce, On A New Set of Categories)

“C.S. Peirce, whose great importance for the classification of images and signs we have already noted, distinguished between two sorts of images which he called ‘Firstness’ and ‘Secondness’… Peirce does not conceal the fact that firstness is difficult to define, because it is felt, rather than conceived: it concerns what is new in experience, what is fresh, fleeting and nevertheless eternal… Secondness was wherever there were two by themselves: what is what it is in relation to a second. Everything which only exists by being opposed, by and in a duel, therefore belongs to secondness: exertion-resistance, action-reaction, excitation-response, situation-behaviour, individual-milieu… It is the category of the Real, of the actual, of the existing, of the individuated… After having distinguished between affection and action, which he calls Firstness and Secondness, Peirce adds a third kind of image: the ‘mental’ or Thirdness. The point of thirdness was a term that referred to a second term through the intermediary of another term or terms. This third instance appeared in signification, law or relation. This may seem to be already included in action, but this is not so. An action, that is to say a duel or a pair of forces, obeys laws which make it possible, but it is never its law which makes it act.” (Gilles Deleuze, The Movement Image)

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“November 28, 1947: How do you make yourself a body without organs?” (Pen and vivid on A4, 2005)

Monday, December 12th, 2005

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“At any rate, you have one (or several). It’s not so much that it preexists or comes ready-made, although in certain respects it is preexistent. At any rate, you make one, you can’t desire without making one. And it awaits you; it is an inevitable exercise or experimentation, already accomplished the moment you undertake it, unaccomplished as long as you don’t. This is not assuring, because you can botch it. Or it can be terrifying, and lead you to your death. It is nondesire as well as desire. It is not at all a notion or a concept but a practice, a set of practices. You never reach the Body without Organs, you can’t reach it, you are forever attaining it, it is a limit. People ask, So what is this BwO?—But you’re already on it, scurrying like a vermin, groping like a blind person, or running like a lunatic: desert traveler and nomad of the steppes. On it we sleep, live our waking lives, fight—fight and are fought—seek our place, experience untold happiness and fabulous defeats; on it we penetrate and are penetrated; on it we love. On November 28, 1947, Artaud declares war on the organs: To be done with the judgment of God, “for you can tie me up if you wish, but there is nothing more useless than an organ.”‘ Experimentation: not only radiophonic but also biologi cal and political, incurring censorship and repression. Corpus and Socius politics and experimentation. They will not let you experiment in peace.” (Gilles Deleuze and Felix Guattari, A Thousand Plateaus)

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“Geometric Theology [Round, Square, Triangle]” (Pen and vivid on A4, 2005)

Tuesday, December 20th, 2005

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“Perhaps I might begin by noticing how different numbers have found their champions. Two was extolled by Peter Ramus, Four by Pythagoras, Five by Sir Thomas Browne, and so on. For my part, I am a determined foe of no innocent number; I respect and esteem them all in their several ways; but I am forced to confess to a leaning to the number Three in philosophy.” (Charles Sanders Peirce, Trichotomy)

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“Rihanna – Black Like Me” (Digital Screencap, 2010, with Robyn Kenealy)

Wednesday, May 26th, 2010

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“Rest at pale evening… A tall slim tree… Night coming tenderly, black like me.” (Langston Hughes, Dream Variations)

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Unedited screencaps from the game “Rihanna Makeover” on Girl Games, one of the leading online gaming sites for young girls. Black Like Me is a collaboration with Robyn Kenealy, an artist currently working on a Roddy McDowall biography comic and a Battlestar Galactica fanfiction novel.

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